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本题添加时间:2023/4/3 12:59:00
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Literary Terms
Hemingway Code Hero

Imagism

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1.It refers to some protagonists in Hemingway‘s works. In the general situation of Hemingway‘s novels, life is full of tension and battles; the world is in chaos and man is always fighting desperately a losing battle. Those who survive and perhaps emerge victorious in the process of seeking to master the code with a set of principles such as honor, courage, endurance, wisdom, discipline and dignity are known as “the Hemingway code“. To behave well in the lonely, losing battle with life is to show “grace under pressure“ and constitutes in itself a kind of victory, a theme clearly established in The Old Man and The Sea. Though life is but a losing battle, it is a struggle man can dominate in such a way that loss becomes dignity; man can be physical1y destroyed but never defeated spiritually. Obviously, Hemingway‘s limited fictional world implies a much broader thematic pattern and serious philosophica1 concern. Hemingway Code Heroes plainly embody Hemingway‘s own values and view of life.

2.A literary movement that began in London and later spread to the US at the beginning of the 20th century. It underwent three major phases in its development, and T. E. Hulme, Ezra Pound and Amy Lowell lead the movement respectively. It advocated “the use of one dominant image”. According to Ezra Pound, an image is “that which presents an intellectual and emotional complex in an instant of time” and the three principles that he established were: a. Direct treatment of the “thing”, whether subjective or objective; b. To use absolutely no word that does not contribute to the presentation; c. As regarding rhythm, to compose in the sequence of the musical phrase, not in the sequence of a metronome.

出自 信阳师范学院英国文学史  青书学堂系统

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